Prof. Simon Shaw-Miller

Fields of interest:

The history of art and music in the modern period (1800-1960s/present). Questions of interdisciplinary methodology, modernism, the concepts of visual music, sound art, musical iconography, synaesthesia, musical ekphrasis, and the aesthetics of the Gesamtkunstwerk

Recent publication:

Eye hEar The Visual in Music (Ashgate, 2013, ISBN 9781409426448, pp 232, 8 colour and 40 b&w illustrations, 3 music ex). (revised paperback due 2016, Routledge, Taylor Francis)

Vienna Café Cultures ed. with C. Ashby & T. Gronberg (2013, Berghahn Books, New York, ISBN   978-0-85745-764-6, pp. 256, 41 ills.) and paperback, 2015.

Samuel Palmer Revisited ed. with Sam Smiles (Ashgate, 2010, ISBN 9780754667476, pp. 180, 22b/w illus., 10 music ex.)

Eye-Music: Kandinsky, Klee and All that Jazz with F. Guy and M. Tucker (Pallant House Press, Chichester, 2007, ISBN 9781869827038, pp.197)

Visible Deeds of Music: Art and Music from Wagner to Cage (Yale University Press, 2002, ISBN 0300107536, pp. 320, 100b/w illus.) (paperback published 2004.)

The Art of Music: A Complex Art’ in The Art of Music. Coleman, P. (ed.). New Haven: Yale University Press, 2015. pp. 32-59, translated into Spanish as El Arte de la Musica un Arte Complejo, in Arte de la Musica (April, 2016)

Opsis, Lexis, Melos’ in Art and Music as Rival Sisters at the Birth of Modernism, 1800–1900 (ed. J. Ruben, Ashgate, 2015), pp. 37-52.

‘Synaesthesia’ in The Routledge Companion to Music and Visual Culture (eds. A. Leonard & T. Shephard, Routledge, New York and London, 2013), pp.13-24.

‘Imago musicae: Imaging music from Ladybird to Wittgenstein’, Music in Art: International Journal for Music Iconography (New York, 2012), XXXVII, 1-2, p. 161-175

State of Play: Visual Culture and Music’, Art History (Feb, 2013), pp. 210-217.